








Transmogrification Station sound sculpture, 2017. Participants can randomly pick 1 of 40 'magic cards.' Waving the card over the game board triggers a unique sound. Sounds re-locate the user to another location, transmogrifying the gallery space.

Installation view, I Want To Believe, 2017. Object-Oriented Fortune Telling series and Transmogrification Station sound sculpture.

Transmogrification Station, 2017. Table, speakers, Arduino microcontroller, 40 RFID cards, RFID trigger, audio mixer, quilted game board.

Installation view, I Want To Believe (Saint Mary's College Galleries), 2017. The textile + video series, Object-Oriented Fortune Telling.

The Object of Accidents (Object-Oriented Fortune Telling), 2017. Cotton, screenprint on muslin. Reverse applique and applique techniques. 18 in. x 22 in.
For this series, I used improv quilting techniques (having no pre-plan for the composition, but working in the moment). I then used Lenormand Cartomancy (a card-based fortune telling game) to reveal each object's "hidden nature." OOFortune Telling sessions were documented as a YouTube video series.

The Patient and Wise Object (Object-Oriented Fortune Telling), 2017. Fabric scraps, recycled fabric, denim, hand-dyed fabric. Applique and free motion quilting techniques. 30 in. x 36 in.

The Charming Object (Object-Oriented Fortune Telling), 2017. Denim, screenprint on muslin. Reverse applique technique. 36 in. x 36 in.

The Object of Accidents (Object-Oriented Fortune Telling), 2017. Recycled fabrics, hand-dyed cotton. Sashiko quilting, applique and utility quilting techniques. 24 in. x 28 in.